“Why didn’t the relationship work out between Asya and Mr. N? (based on the story by I.S.

The name Asya is a female name with different versions of origin. According to the first version, the name Asya is a derivative name from the name Asta, which in turn is directly related to the name Astrid, and therefore, accordingly, is of Scandinavian origin. In this case, the name Asya will mean “divinely beautiful” or “passionate”. This form of the name has become more widespread outside the Scandinavian and German-speaking countries.

According to the second version, the name Asya is a derivative name from the Greek name Anastasia and is translated as “reborn”.

According to the next version, the name Asya is a variant of the name Asiyat, Asia (Asia), used among the Tatars. The name Asiya is used not only among Muslims, but also in Europe.

Also, the name Asya is a short form for many female names, most often starting with “a” (Anisya, Arsenia, Anna, Assol, Agnessa, Alexandra, Astra, Aksinia and others). Very often you can find the diminutive Asya for many other names (Vasilisa, Vasilida, Vassa, Ksenia, Gelasia, Taisiya, Tarasiya and others).

Also Asya is an affectionate appeal to the Bulgarian female name Asena, the Armenian name Hasmik, the Kazakh name Aysel, to the male names Askold, Alexander, Mikhail and Tarasy.

The girl Asya is a very humane person, she can be called an altruist, since Asya always tries to take care of someone and thinks about the interests of other people. She is capable of sudden inspiration and impulses of creativity, but Asya has to somehow reconcile her dreams and aspirations with real opportunities, find the line between life for herself and life for the benefit of society. Asya's high aspirations and ideals are poorly adapted to everyday reality, which causes her mental anguish and can shake her fragile nervous balance.

Little Asya is a charming girl, she wants to please everyone, and is especially receptive to the atmosphere at home. She accepts various changes with some delay, they confuse her and bring chaos into her life. And she is no longer able to fully live in the present, which she remembers and understood so well, and now everything becomes different, and it is easier for her to go into the inner world of dreams, where everything is clear and constant. Therefore, parents need to pay special attention to this feature, accustom the girl to the changing course of life, and actively help her adapt to changes.

Asya shows interest in social movements, sciences, issues of spirituality and culture. If she becomes interested in one of these areas with passion, then she must beware of the danger in which Asya can reach dogmatism and fanaticism. The owner of this name is ready to cooperate and interact with other people with complete dedication and unwavering faith.

When it comes to love, Asya reveals her sentimental and romantic soul, which seeks to idealize her lover by placing him on a pedestal, which can lead to the risk of disappointment. This is a rather feminine nature; motherhood can probably become a prerogative in her life. However, it is very important for her to contribute to the development of humanity, and in this aspect she can do this as a parent. Emotional values ​​are fundamental to Asya.

Asya can achieve enormous success in social or artistic fields. Therefore, she can choose the profession of a teacher, social worker, psychologist, sociologist, consultant, nurse, midwife, secretary, artist, musician, or even become a politician. Of course, she can simply decide to devote herself to her family and become a loving and attentive mother.

Asya's birthday

Asya does not celebrate her name day.

Famous people named Asya

• Asya Eutykh ((born 1962) Russian jeweler, gunsmith. Unique works of gold, precious stones, made using casting and engraving techniques can be seen in the Hermitage, the State Historical Museum of Moscow, many of her works are in private collections. She invented her own alloy - Juvelus .)
• Asya Gorskaya ((1937-2003) Russian poetess, prose writer and local historian. Author of 25 books, seven music albums. She created the Museum of poets and writers of the Southern Urals “Ship”.)
• Asya Zvereva ((born 1937) Soviet and Russian sound engineer, winner of “Nika” in 1997)
• Asya Veksler ((born 1943) Soviet artist-illustrator, graphic artist, also Israeli poet)
• Asya Kozina ((born 1984) maiden name – Chuprina; Ukrainian contemporary artist, works in the paper plastic technique. Participant in many exhibitions, her works are in the collections of various museums and private collections.)
• Asya Shavinskaya ((born 1981) Russian intellectual, player of the elite club “What? Where? When?”. Awarded “Crystal” and “Diamond” owls in 2004.)
• Asya Nemchenok ((born 1966) Soviet and Russian artist, photographer, art teacher. She created her own technique - “photo painting.”)
• Asya Shneiderman ((born 1968) Soviet poetess, translator, artist)
• Asya Umarova ((born 1985) Chechen artist (graphic impressionism), also a prose writer. Participant in Russian and international exhibitions. Actively participates in socially significant projects.)
• Asya Nakhimovskaya ((1923-1997) Soviet and Russian actress, played more than 100 roles)
• Asya Noris ((1912-1998) Italian theater and film actress, achieved her greatest popularity in the 30-40s of the twentieth century)
• Asya Abdullah (co-chairman of the Democratic Union Party of Syrian Kurds, participant in numerous conferences)
• Asya ((born 1965) pseudonym, real name and surname – Tulay Keçialan; Turkish pop singer)
• Asya Saavedra ((born 1992) American singer, soloist and keyboardist, performing songs with her sister in the genre of indie pop, indie rock))
• Asya Miller Lapper ((born 1979, American Paralympic athlete, multiple medalist in goalball)
• Asya Simonyan ((born 1987) Armenian athlete (rhythmic gymnastics))

Why didn't the hero's future work out?

All works of I. S. Turgenev, one way or another, are connected with the theme of love. Unhappy love is often found in the works of this outstanding Russian classic. So, for example, in the story “Asya” the happiness of the main characters was so possible, but at the last moment it slipped out of their hands. The main character, known to us as Mr. N.N., as a result remains lonely, with broken hopes and a vain dream of happiness.

In his life, he only once met a girl like Asya - he never loved anyone else like that. However, his indecision, prejudices and weakness of character led to the fact that he and Asya parted forever. And in his declining years he remembers that everything could have been different if he had said at least one word at the right moment. He kept all the notes written by Asya for him, the long-withered geranium flower that Asya had once given him. What is the reason for this ending?

According to the plot, N.N. finds himself in a small German town on the banks of the Rhine River. There, at a student party, he meets two Russians who become his close friends. One of them is the artist Gagin, and the second is his sister Asya. Subsequently, he learns from Gagin that Asya is his sister only through her father - a man of noble origin, and her mother was an ordinary maid. Asya was embarrassed by her dual origins and therefore sometimes behaved awkwardly.

At first she also avoided Mr. N.N., but then she became more open and cheerful with him. By nature, Asya was a rather brave and straightforward person. Feeling a feeling of falling in love with N.N., she immediately decided to tell her brother about it and confess to their mutual friend. She was ready for any answer, but she wanted to honestly know what he felt towards her. On their first and only date, Asya found herself in N.N.’s arms, and he got scared and retreated. He reproached the girl for being too open and for telling her brother about their relationship.

After this conversation, he never saw Asya again. Is he to blame for their separation and for the fact that his future never worked out? I think so. His main enemies turned out to be cowardice, uncertainty and doubt. Asya left N.N. a farewell note in which she said that one word of his could stop her and make her happy forever. He looked for Gagin and Asya for a long time in this provincial German city and in other places where they could stay, but he never found them.

While he was young, he still did not realize the extent of his loss. He doubted that he could be happy with such an impulsive girl like Asya. And only many years later he realized that she was the love of his life. For this reason, you need to appreciate and take care of your loved ones, understanding and forgiving their little whims or shortcomings. After all, every person has his own shortcomings, and if we do not accept them as they are, the dream of personal happiness will remain a dream.

Ivan Turgenev not only made a significant contribution to the development of Russian literature within the framework of existing directions, but also discovered new original features of national culture. In particular, he created the image of Turgenev’s young lady - he revealed the unique character of the Russian girl on the pages of his books. To get to know this person, just read the story “Asya”, where the portrait of a woman acquired unique features.

The writer was busy writing this work for several months (from July to November 1857). He wrote hard and slowly, because illness and fatigue were already making themselves felt. It is not known exactly who Asya’s prototype is. Among the versions, the prevailing point of view is that the author described his illegitimate daughter. The image could also reflect the fate of his paternal sister (her mother was a peasant woman). Turgenev, from these examples, knew well how a teenager felt when he found himself in such a situation, and reflected his observations in the story, showing a very delicate social conflict, for which he himself was to blame.

The work “Asya” was completed in 1857 and published in Sovremennik. The story of the story, told by the author himself, is as follows: one day Turgenev in a German town saw an elderly woman looking out of a window on the first floor, and the head of a young girl on the floor above. Then he decided to imagine what their fate might be, and he embodied these fantasies in the form of a book.

Why is the story called this?

The work received its name in honor of the main character, whose love story is the focus of the author’s attention. His main priority was to reveal the ideal female image, called the “Turgenev young lady”. According to the writer, a woman can be seen and appreciated only through the prism of the feeling she experiences. Only in it its mysterious and incomprehensible nature is fully revealed. Therefore, his Asya experiences the shock of her first love and experiences it with the dignity inherent in an adult and mature lady, and not the naive child she was before meeting N.N.

This transformation is what Turgenev shows. At the end of the book, we say goodbye to Asya the child and meet Anna Gagina - a sincere, strong and self-worth woman who does not agree to compromise: when N.N. afraid to surrender to the feeling completely and immediately acknowledge it, she, overcoming the pain, left him forever. But in memory of the bright time of childhood, when Anna was still Asya, the writer calls his work with this diminutive name.

Genre: story or short story?

Of course, “Asya” is a story. The story is never divided into chapters, and its volume is much smaller. The segment from the life of the heroes depicted in the book is shorter than in the novel, but longer than in the smallest form of prose. Turgenev also held the same opinion about the genre nature of his creation.

Traditionally, there are more characters and events in a story than in a short story. In addition, the subject of the image in it is precisely the sequence of episodes in which cause-and-effect relationships are revealed, which lead the reader to understand the meaning of the ending of the work. This is what happens in the book “Asya”: the characters get to know each other, their communication leads to mutual interest, N.N. finds out about Anna's origins, she confesses her love to him, he is afraid to take her feelings seriously, and in the end all this leads to a breakup. The writer first intrigues us, for example, shows the strange behavior of the heroine, and then explains it through the story of her birth.

What is the work about?

The main character is a young man, on whose behalf the story is told. These are the memories of an already mature man about the events of his youth. In "Ace" the middle-aged socialite N.N. recalls a story that happened to him when he was about 25. The beginning of his story, where he meets his brother and sister Gagin, is the exposition of the story. The place and time of action is “a small German town of W. near the Rhine (river).” The writer is referring to the city of Sinzig in a province of Germany. Turgenev himself traveled there in 1857, and then finished the book. The narrator writes in the past tense, stipulating that the events described took place 20 years ago. Accordingly, they occurred in June 1837 (N.N. himself reports about the month in the first chapter).

What Turgenev wrote about in “Ace” is familiar to the reader from the time of reading “Eugene Onegin”. Asya Gagina is the same young Tatyana who fell in love for the first time, but did not find reciprocity. It was the poem “Eugene Onegin” that N.N. once read. for the Gagins. Only the heroine in the story does not look like Tatyana. She is very changeable and fickle: she either laughs all day long, or walks around darker than a cloud. The reason for this state of mind lies in the girl’s difficult history: she is Gagin’s illegitimate sister. In high society she feels like a stranger, as if unworthy of the honor bestowed on her. Thoughts about her future situation constantly weigh on her, which is why Anna has a difficult character. But, in the end, she, like Tatyana from Eugene Onegin, decides to confess her love to N.N. The hero promises the girl’s brother to explain everything to her, but instead accuses her of confessing to her brother and actually exposing him to a laughing stock. Asya, hearing a reproach instead of a confession, runs away. A N.N. understands how dear she is to him, and decides to ask for her hand the next day. But it’s too late, because the next morning he finds out that the Gagins have left, leaving him a note:

Farewell, we won't see each other again. I’m not leaving out of pride - no, I can’t do otherwise. Yesterday, when I cried in front of you, if you had said one word to me, just one word, I would have stayed. You didn't say it. Apparently, it’s better this way... Goodbye forever!

The main characters and their characteristics

The reader's attention is drawn, first of all, to the main characters of the work. They are the ones who embody the author’s intention and are the supporting images on which the narrative is built.

1. Asya (Anna Gagina)- a typical “Turgenev young lady”: she is a wild, but sensitive girl who is capable of true love, but does not accept cowardice and weakness of character. This is how her brother described her: “Pride developed in her strongly, and mistrust too; bad habits took root, simplicity disappeared. She wanted (she herself admitted this to me once) to make the whole world forget her origins; she was both ashamed of her mother, and ashamed of her shame, and proud of her.” She grew up in nature on an estate and studied at a boarding school. At first she was raised by her mother, a maid in her father's house. After her death, the master took the girl to him. Then the upbringing was continued by his legitimate son, the brother of the main character. Anna is a modest, naive, well-educated person. She has not yet matured, so she fools around and plays pranks, not taking life seriously. However, her character changed when she fell in love with N.N.: he became fickle and strange, the girl was either too lively or sad. By changing her images, she unconsciously sought to attract the attention of her gentleman, but her intentions were absolutely sincere. She even fell ill with a fever from the feeling that filled her heart. From her further actions and words we can conclude that she is a strong and strong-willed woman, capable of sacrifice for the sake of honor. Turgenev himself described her description: “The girl, whom he called his sister, at first glance seemed very pretty to me. There was something special about her dark, round face, with a small thin nose, almost childish cheeks and black, light eyes. She was gracefully built, but seemed not yet fully developed.” The somewhat idealized image of Asya was repeated in the faces of other famous heroines of the writer.
2. N.N.- a narrator who, 20 years after the event described, takes up his pen to ease his soul. He can't forget about his lost love. He appears before us as a selfish and idle rich young man who travels because he has nothing to do. He is lonely and afraid of his loneliness, because, by his own admission, he loves to be in a crowd and look at people. At the same time, he does not want to meet Russians, apparently, he is afraid of disturbing his peace. He ironically notes that “he considered it his duty to indulge in sadness and loneliness for a while.” This desire to show off even in front of himself reveals the weak sides of his nature: he is insincere, false, superficial, and seeks justification for his idleness in fictitious and contrived suffering. It is impossible not to note his impressionability: thoughts about his homeland made him angry, meeting Anna made him feel happy. The main character is educated and noble, lives “as he wants,” and is characterized by inconstancy. He understands art, loves nature, but cannot find an application for his knowledge and feelings. He loves to analyze people with his mind, but does not feel them with his heart, which is why he could not understand Asya’s behavior for so long. Love for her revealed not the best qualities in him: cowardice, indecisiveness, selfishness.
3. Gagin- Anna's older brother who takes care of her. This is how the author writes about him: “It was a straight Russian soul, truthful, honest, simple, but, unfortunately, a little lethargic, without tenacity and inner heat. Youth was not in full swing in him; she glowed with a quiet light. He was very sweet and smart, but I couldn’t imagine what would happen to him once he matured.” The hero is very kind and sympathetic. He honored and respected his family, because he fulfilled his father’s last wishes honestly, and he loved his sister like his own. Anna is very dear to him, so he sacrifices friendship for the sake of her peace of mind and leaves N.N., taking the heroine away. He generally willingly sacrifices his interests for the sake of others, because in order to raise his sister, he resigns and leaves his homeland. The other characters in his description always look positive; he finds justification for all of them: the secretive father, the compliant maid, the headstrong Asya.

Minor characters are only mentioned in passing by the narrator. This is a young widow on the waters, who rejected the narrator, Gagin’s father (a kind, gentle, but unhappy man), his brother, who got his nephew a job in St. Petersburg, Asya’s mother (Tatyana Vasilievna - a proud and unapproachable woman), Yakov (Gagin the elder’s butler) . The description of the characters given by the author allows us to understand even more deeply the story “Asya” and the realities of the era that became its basis.

Subject

1. Theme of love. Ivan Sergeevich Turgenev wrote many stories about this. For him, feeling is a test of the heroes’ souls: “No, love is one of those passions that breaks our “I”, makes us, as it were, forget about ourselves and our interests,” said the writer. Only a real person can truly love. However, the tragedy is that many people fail this test, and it takes two to love. When one fails to truly love, the other is undeservedly left alone. This is what happened in this book: N.N. I couldn’t pass the test of love, but Anna, although she coped with it, still couldn’t stand the insult of neglect and left forever.
2. The theme of the extra person in the story “Asya” also occupies an important place. The main character cannot find a place for himself in the world. His idle and aimless life abroad is proof of this. He wanders around in search of who knows what, because he cannot apply his skills and knowledge in the real business. His failure also manifests itself in love, because he is afraid of the girl’s direct recognition, afraid of the strength of her feelings, and therefore cannot realize in time how dear she is to him.
3. The theme of family is also raised by the author. Gagin raised Asya as his sister, although he understood the complexity of her situation. Perhaps it was precisely this circumstance that pushed him to travel, where the girl could distract herself and hide from sidelong glances. Turgenev emphasizes the superiority of family values ​​over class prejudices, calling on his compatriots to care more about family ties than about the purity of blood.
4. Theme of nostalgia. The whole story is imbued with the nostalgic mood of the protagonist, who lives with memories of the time when he was young and in love.

Issues

• The problem of moral choice. The hero does not know what to do correctly: is it worth taking responsibility for such a young creature, offended by fate? Is he ready to say goodbye to his single life and tie himself to one single woman? Besides, she had already deprived him of his choice by telling his brother everything. He was annoyed that the girl took all the initiative upon herself, and therefore accused her of being too frank with Gagin. N.N. was confused, and also not experienced enough to unravel the subtle nature of his beloved, so it is not surprising that his choice turned out to be wrong.
• Problems of feeling and duty. Often these principles oppose each other. Asya loves N.N., but after his hesitation and reproaches she understands that he is not sure of his feelings. A duty of honor commands her to leave and not meet with him again, although her heart rebels and asks to give her lover another chance. However, her brother is also adamant in matters of honor, so the Gagins leave N.N.
• The problem of extramarital affairs. During Turgenev's time, almost all nobles had illegitimate children, and this was not considered abnormal. But the writer, although he himself became the father of such a child, draws attention to how bad life is for children whose origins are illegal. They suffer without guilt for the sins of their parents, suffer from gossip and cannot arrange their future. For example, the author depicts Asya's studies in a boarding school, where all the girls treated her with disdain because of her history.
• The problem of adolescence. Asya at the time of the events described is only 17 years old, she has not yet formed as a person, which is why her behavior is so unpredictable and eccentric. It is very difficult for my brother to deal with her, because he does not yet have experience in the parenting field. Yes, and N.N. could not understand her contradictory and sentimental nature. This is the reason for the tragedy of their relationship.
• The problem of cowardice. N.N. she is afraid of serious feelings, so she does not say that very cherished word that Asya was waiting for.

Main idea

The story of the main character is a tragedy of naive first feelings, when a young dreamy person first encounters the cruel realities of life. The conclusions from this collision are the main idea of ​​the story “Asya”. The girl went through the test of love, but many of her illusions were shattered. Indecisive N.N. She read a sentence to herself, which her brother had mentioned earlier in a conversation with a friend: in this situation, she cannot count on a good match. Few will agree to marry her, no matter how beautiful or cheerful she is. She had seen before that people despised her for her unequal origin, and now the man she loved was hesitant and did not dare to commit himself to a word. Anna interpreted this as cowardice, and her dreams crumbled to dust. She learned to be more selective in her suitors and not to trust them with her heartfelt secrets.

Love in this case opens up the adult world for the heroine, literally pulling her out of her blissful childhood. Happiness would not have been a lesson for her, but a continuation of a girl’s dream; it would not have revealed this contradictory character, and Asya’s portrait in the gallery of female types of Russian literature was greatly impoverished by the happy ending. In the tragedy, she gained the necessary experience and became richer spiritually. As you can see, the meaning of Turgenev’s story is also to show how the test of love affects people: some show dignity and fortitude, others show cowardice, tactlessness and indecisiveness.

This story from the lips of a mature man is so instructive that it leaves no doubt that the hero recalls this episode of his life for the edification of himself and the listener. Now, after so many years, he understands that he himself missed the love of his life, he himself destroyed this sublime and sincere relationship. The narrator calls on the reader to be more attentive and decisive than himself, not to let his guiding star go away. Thus, the main idea of ​​the work “Asya” is to show how fragile and fleeting happiness is if it is not recognized in time, and how merciless love is, which does not give a second try.

What does the story teach?

Turgenev, showing the idle and empty lifestyle of his hero, says that carelessness and aimlessness of existence will make a person unhappy. N.N. in old age he bitterly complains about himself in his youth, regretting the loss of Asya and the very opportunity to change his fate: “It never occurred to me then that man is not a plant and he cannot flourish for a long time.” He realizes with bitterness that this “blooming” did not bear fruit. Thus, the morality in the story “Asya” reveals to us the true meaning of existence - we need to live for the sake of a goal, for the sake of loved ones, for the sake of creativity and creation, no matter what it is expressed in, and not just for the sake of ourselves. After all, it was selfishness and the fear of losing the opportunity to “bloom” that prevented N.N. utter the very cherished word that Anna was waiting for.

Another conclusion that Ivan Sergeevich Turgenev makes in “Ace” is the statement that there is no need to be afraid of your feelings. The heroine gave herself completely to them, was burned by her first love, but learned a lot about life and about the person to whom she wanted to dedicate her. Now she will be more attentive to people and will learn to understand them. Without this cruel experience, she would not have revealed herself as a person, she would not have understood herself and her desires. After breaking up with N.N. she realized what the man of her dreams should be like. So you shouldn’t be afraid of the sincere impulses of your soul, you need to give them free rein, and come what may.

Criticism

The reviewers called N.N. a typical literary embodiment of the “superfluous person”, and later they identified a new type of heroine - the “Tugenev young lady”. The image of the main character was studied especially carefully by Turgenev’s ideological opponent, Chernyshevsky. He dedicated an ironic article to him entitled “Russian man at rendez-vous. Reflections on reading the story “Asya”. In it, he condemns not only the moral imperfection of the character, but also the squalor of the entire social group to which he belongs. The idleness and selfishness of noble offspring destroys the real people in them. This is precisely what the critic sees as the cause of the tragedy. His friend and colleague Dobrolyubov enthusiastically appreciated the story and the author’s work on it:

Turgenev... talks about his heroes as about people close to him, snatches their warm feeling from his chest and watches them with tender sympathy, with painful trepidation, he himself suffers and rejoices along with the faces he created, he himself is carried away by the poetic setting that he loves always surround them...

The writer himself speaks very warmly about his creation: “I wrote it very passionately, almost in tears...”.

Many critics responded positively to Turgenev’s work “Asya” even at the stage of reading the manuscript. I. I. Panaev, for example, wrote to the author about the impression of the editors of Sovremennik in the following expressions:

I read the proofs, the proofreader and, moreover, Chernyshevsky. If there are still mistakes, it means we did everything we could, and we can’t do better. Annenkov has read the story, and you probably already know his opinion about it. He's delighted

Annenkov was Turgenev's close friend and his most important critic. In a letter to the author, he highly praises his new work, calling it “a frank step towards nature and poetry.”

In a personal letter dated January 16, 1858, E. Ya. Kolbasin (a critic who positively assessed Turgenev’s work) informed the writer: “Now I have come from the Tyutchevs, where there was a dispute about “Asia”. They don't like it. They find that Asya’s face is tense and not alive. I said the opposite, and Annenkov, who arrived in time for the argument, completely supported me and brilliantly refuted them.”

However, it was not without controversy. The editor-in-chief of Sovremennik magazine Nekrasov proposed changing the scene of the explanation of the main characters, believing that it too belittled the image of N.N.:

There is only one remark, mine personally, and it is unimportant: in the scene of the meeting at the knees, the hero unexpectedly showed an unnecessary rudeness of nature, which you did not expect from him, bursting out with reproaches: they should have been softened and reduced, I wanted to, but did not dare, especially since Annenkov is against this

As a result, the book was left unchanged, because even Chernyshevsky stood up for it, who, although he did not deny the rudeness of the scene, noted that it best reflects the real appearance of the class to which the narrator belongs.

S. S. Dudyshkin, who in the article “Tales and Stories of I. S. Turgenev”, published in “Notes of the Fatherland,” contrasted the “sick personality of the Russian man of the 19th century” with an honest worker - a bourgeois businessman. He was also extremely concerned about the question of the historical destinies of the “extra people” posed by the author of “Asia”.

Obviously not everyone liked the story. After its publication, reproaches rained down on the writer. For example, reviewer V.P. Botkin told Fet: “Not everyone likes Asya. It seems to me that Asya’s face failed - and in general the thing has a prosaically invented appearance. There is nothing to say about other persons. As a lyricist, Turgenev can only express well what he has experienced...” The famous poet, the addressee of the letter, agreed with his friend and recognized the image of the main character as far-fetched and lifeless.

But the most indignant of all the critics was Tolstoy, who assessed the work as follows: “Turgenev’s Asya, in my opinion, is the weakest thing of all that he wrote” - this remark was contained in a letter to Nekrasov. Lev Nikolaevich connected the book with the personal life of a friend. He was dissatisfied that he arranged for his illegitimate daughter Polina in France, forever separating her from her natural mother. This “hypocritical position” was sharply condemned by the count; he openly accused his colleague of cruelty and improper upbringing of his daughter, also described in the story. This conflict led to the fact that the authors did not communicate for 17 years.

Later, the story was not forgotten and often appeared in the statements of famous public figures of the era. For example, Lenin compared Russian liberals to an indecisive character:

...Just like the ardent Turgenev hero who escaped from Asya, about whom Chernyshevsky wrote: “A Russian man on a rendez-vous”

Interesting? Save it on your wall!

Wrote in 1857. This story tells us about the unhappy love of a young underage girl who fell in love with a twenty-five-year-old man. The story is based on the memory of a certain N.N., who is one of the main characters of Turgenev’s story “Asya”. In addition to N.N., the story also contains the main character Asya, whose characteristics we need to describe.

The image of Asya in Turgenev's story

The image of Asya in Turgenev's story is clearly depicted in the work. And this is a pretty girl, with a round face. She has a small nose and round cheeks. Dark hair, light eyes with long eyelashes. Asya is graceful, “her slender appearance was clearly and beautifully depicted in the clear sky.” The girl spoke two languages ​​fluently. This is exactly the portrait of the girl that emerges when you read the summary of Turgenev’s story “Asya”.

Asya is the illegitimate daughter of a landowner and a peasant woman. The girl knew about this and was very ashamed, “she wanted to make the whole world forget her origin.” After her mother's death she lived in her father's house, and after his death she was in the care of her brother. And even though Asya studied at the best boarding school, she was never able to become a real young lady. She is “used to chatting whatever comes into her head.”

Asya was timid by nature, but at the same time she behaved cheekily. This is a girl about whom one can say “gunpowder” and “fire”, “a chameleon girl”. She is wayward, kind, sincere, sensitive. Asya can be like a child, or she can be capricious, she can be playful and impudent. Her image remains forever in the reader's memory.
One day she met her love in the form of Mr. N.N. And I completely surrendered to this feeling that I experienced for the first time. For her N.N. was a real hero. She fell in love so much that she was ready to do anything, but the girl made a mistake in her choice. N.N was indecisive and despite the fact that his feelings were mutual, despite the fact that the girl said “yours” to him and confessed her love, he rejected her and Asya left forever. N.N. Then I regretted my decision many times, but it was too late.

The girl's first love turned out to be broken and unhappy.

In an essay based on Turgenev’s story “Asya”, I would like to highlight the main idea of ​​Turgenev’s story “Asya”. The author shows us how important it is to do everything on time and not be afraid of your feelings. You need to fight for your dream so as not to regret later. And Asya was not afraid, Asya acted, and although we do not know the girl’s future life, we would really like her to have a happy future.

It was based on the features inherent in the writer’s biography. The characterization of Asya in the story “Asya” is impossible without a brief excursion into the life, or rather the love of Ivan Sergeevich.

Eternal friend of Pauline Viardot

The relationship between Polina Viardot and Ivan Sergeevich lasted 40 long years. It was a love story that settled in the heart of only one person, Turgenev, and the woman he passionately revered did not reciprocate his feelings. She was married. And for all four decades, Ivan Sergeevich came to their house as an eternal and forever faithful friend of the family. Having settled “on the edge of someone else’s nest,” the writer tried to build his own, but until the end of his life he loved Pauline Viardot. Viardot became a homewrecker, a killer of the happiness of girls who recklessly fell in love with Ivan Sergeevich.

It is worth saying that the tragic relationship with Viardot was not new to him. The very young Ivan, at the age of eighteen, fell in love with his daughter Katenka. The sweet angelic creature that the girl seemed to be at first glance, in fact, did not turn out to be such. She had a long relationship with the main village ladies' man. By evil irony, the girl’s heart was conquered by Sergei Nikolaevich Turgenev, the writer’s father.

However, not only did the writer have his heart broken, he himself more than once rejected the women who loved him. After all, until the end of his days he adored Pauline Viardot.

Characteristics of Asya in the story “Asya”. Type of Turgenev girl

Many people know that Turgenev’s girls exist, but few remember what she is like, the heroine from the writer’s stories.

The portrait characteristics of Asya found on the pages of the story are as follows.

As can be seen from the above lines, Asya had atypical beauty: her boyish appearance combined short large eyes fringed with long eyelashes and an unusually slender figure.

A brief description of Asya and her external image would be incomplete without mentioning that, most likely, it reflected Turgenev’s disappointment in the circle (consequences towards Ekaterina Shakhovskaya).

It is here, on the pages of the story “Asya”, that not only Turgenev’s girl, but Turgenev’s feeling of love is born. Love is compared to revolution.

Love, like revolution, tests heroes and their feelings for perseverance and vitality.

Asya's origin and character

The backstory of the heroine's life made a significant contribution to the girl's character. She is the illegitimate daughter of a landowner and a maid. Her mother tried to raise her strictly. However, after Tatyana’s death, Asya was taken in by her father. Because of him, feelings such as pride and distrust arose in the girl’s soul.

The characterization of Asya from Turgenev's story introduces initial inconsistencies into her image. She is contradictory and playful in her relationships with all people. If you take her interest in everything around her, you can understand that the girl shows this a little unnaturally. Since she looks at everything with curiosity, but in fact does not delve into anything carefully or peer into it.

Despite her inherent pride, she has a strange predilection: making acquaintances with people who are lower in class than her.

Moment of Spiritual Awakening

The characterization of Asya from Turgenev’s story will be incomplete if you do not think about the issue of the spiritual awakening of the main characters: Asya and Mr. N.N.

The hero and author of the story, having met Asya in a small German town, feels that his soul trembled. We can say that he came to life spiritually and opened up to his feelings. Asya removes the pink veil through which he looked at himself and his life. N.N. understands how false his existence was until the moment he met Asya: time wasted on travel now seems to him an unaffordable luxury.

The reborn worldview of Mr. N.N. looks forward to every meeting with trepidation. However, faced with a choice: love and responsibility or loneliness, he comes to the conclusion that it is absurd to marry someone whose temper he can never conquer.

Love also helps Asya’s character reveal itself. She begins to realize herself as an individual. Now she cannot get by with ordinary reading of books from which she gained knowledge about “true” love. Asya opens up to feelings and hopes. For the first time in her life, she stopped doubting and opened herself up to vivid feelings.

What is she like, Asya, in the eyes of Mr. N.N.?

The characterization of Asya in the story “Asya” is not carried out by Ivan Sergeevich himself; he assigns this task to his hero, Mr. N.N.

Thanks to this, we can notice the transformation of the hero’s attitude towards his beloved: from hostility to love and misunderstanding.

Mr. N.N. noted Asya’s spiritual impulse, wanting to show her “high” origin:

At first, all her actions seem like “childish antics” to him. But soon he saw her in the guise of a frightened but beautiful bird:

The relationship between Asya and Mr. N.N.

The verbal characterization of Asya in the story “Asya” predicts the tragic outcome of the emerging relationship between the heroine and Mr. N.N.

By nature, Asya is a contradictory person from her very roots. One has only to remember the girl’s attitude towards her mother and her origins:

The girl loved to be paid attention to, and at the same time was afraid of it, since she was quite timid and bashful.

Asya dreams of a hero who will become for her the embodiment of happiness, love and thought. A hero who can meekly oppose himself to “human vulgarity” in order to save love.

Asya saw her hero in Mr. N.N.

The girl fell in love with the narrator from the first moment they met. She wanted to intrigue him and at the same time show that she was a well-born young lady, and not some kind of daughter of Tatyana’s maid. This behavior, unusual for her, influenced the first impression formed by Mr. N.N.

Then she falls in love with N.N. and begins to expect from him not just actions, but an answer. The answer to the question that worries her: “What to do?” The heroine dreams of a heroic deed, but never receives it from her lover.

But why? The answer is simple: Mr. N.N. not endowed with the spiritual wealth inherent in Asa. His image is quite meager and a little sad, although not without a touch of edification. This is how he appears to us according to Chernyshevsky. Turgenev himself sees him as a man with a trembling, tormented soul.

“Asya”, characterization of N.N.

Soul impulses, thoughts about the meaning of life were unfamiliar to the hero of the story N.N., on whose behalf the story is told. He led a dissolute life in which he did what he wanted and thought only about his own desires, neglecting the opinions of others.

He did not care about a sense of morality, duty, responsibility. He never thought about the consequences of his actions, while shifting the most important decisions onto the shoulders of others.

However, N.N. - not the complete embodiment of the bad hero of the story. Despite everything, he did not lose the ability to understand and separate good from evil. He is quite curious and inquisitive. The purpose of his journey is not the desire to explore the world, but the dream of getting to know many new people and faces. N.N. He is quite proud, but he is not alien to the feeling of rejected love: he was previously in love with a widow who rejected him. Despite this, he remains a kind and quite pleasant young man of 25 years old.

Mr. N.N. realizes that Asya is a girl with oddities, so she is afraid in the future to encounter unexpected turns in her character. In addition, he sees marriage as an unbearable burden, the basis of which is responsibility for someone else’s fate and life.

Afraid of change and a changeable but full life, N.N. refuses possible mutual happiness, placing on Asya's shoulders the responsibility for deciding the outcome of their relationship. Having thus committed betrayal, he predicts in advance a lonely existence for himself. Having betrayed Asya, he rejected life, love, and the future. However, Ivan Sergeevich is in no hurry to reproach him. Since he himself paid for the mistake he made...